RADIO DRAMA REVIEWS ONLINE

Tetherdown by Scott Cherry and Gregory Evans

Home
AUTHORS A-J
AUTHORS K-R
AUTHORS S-Z
DRAMATISTS A-Z
Contact Us

BBC Radio 4, 6 August 2010
 
Set in 1894, this murder mystery took us back to a period of history when the Metropolitan Police were struggling to function as a coherent unit without the help of forensic science: finger-printing as a means of catching criminals was still frowned upon by Prime Minister William Ewart Gladstone.
 
The play also looked at an issue of enduring concern; the ways in which Inspector Marshall (Sean Baker) attracted all the kudos for solving the case, when in reality it was hard-working Detective-Constable Burrell (Nicholas Woodeson) who had done all the spadework. The plot itself focuses on the murder of a 79-year-old widower in Muswell Hill, who was popularly thought to possess a great fortune hidden under his mattress. Small-time thief Milsom (Tony Bell) teams up with local thug Fowler (Jude Akuwudike) to commit a particularly brutal crime, with very little financial results. Burrell pursues the two of them from London to Bath, where they are found working in a local circus. We are taken step by step through their extended trial and their eventual sentence to death by hanging.
 
Burrell functions as the principal protagonist and the narrator (recalling George Dixon in Dixon of Dock Green). He approaches his job with a mixture of resignation and tenacity; he knows he'll never rise too far up the police ranks, yet remains determined to put criminals behind bars. The case itself functions as a rehearsal for the notorious Jack the Ripper murders, which took place a year after this play was set,
 
In terms of police history, Tetherdown showed how the police obtained public confidence during the late Victorian period through their determination and willingness to solve crimes, whatever the cost. This was a period where solution times and statistics did not matter; it was more important to put wrongdoers behind bars and subsequently dispose of them. Sometimes one yearns for today's Metropolitan Police to rediscover these ideals. The director was Marion Nancarrow.